Its intrinsic qualities do not Edition: current; Page: [ ] justify his confidence.
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That fact, and especially its general atmosphere, rouse a conviction that the melody is of earlier date than and that Bach was not the author of it. Bach D. It is unfigured. Becker no. Spitta 1 attributes the melody to Bach without qualification. The Hymn, by Zacharias Hermann , was published in , without a melody. Main, The Hymn was written during the plague of The initial Edition: current; Page: [ ] letters of its seven stanzas W. Nicolai was born at Mengeringhausen in He died there in It is improbable that Nicolai composed the melody. Probably he adjusted it to the Hymn.
The melody also occurs in Cantatas 36, 37, 49, 61, and There is another harmonisation of it in the Choralgesange, No.
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Organ Works, Novello, xix. English translations of the Hymn are noted in the Dictionary of Hymnology, pp. Embellished 2 Corni, 2 Ob. Choralgesange, No. The Hymn was published in the same year in the Erfurt Enchiridion Oder eyn Handbuchlein, in association with the melody printed above.
Walther arranged yet a third melody for the Hymn in his Geystliche gesangk Buchleyn Wittenberg, English translations of the Hymn are noted in the Dictionary of Hymnology, p. Choral Motett 2 Ob. Simple 2 Ob. In he became chief pastor at Gorlitz, and died there in It bears, however, so close a resemblance to a Konigsberg ms. Oder, Bach uses the melody also in Cantatas Nos. The words of the opening movement are part of the first stanza of the Hymn:. Choral Fantasia 2 Ob. The cantus is with the Basses. The Choral of the second movement Recitativo is part of the first and second stanzas of the Hymn:.
The Chorus S. The words of the concluding Choral are part of the twelfth stanza of the Hymn:. Bach uses the melody also in Cantata Other harmonisations of the tune are in the Edition: current; Page: [ ] Choralgesange, Nos. Organ Works, N. Soprano and Alto Duetto, the former voice having a somewhat free treatment of the cantus Cornetto, Trombone I, Continuo.
Choral Fantasia in Motett form Continuo. The cantus is with the Altos. Soprano and Tenor Duetto, treating the cantus somewhat freely in canon Continuo.
Simple Cornetto, 3 Trombones, Strings, Continuo. The melody also occurs in Cantatas 89, , , and An English translation of the Hymn is noted in the Dictionary of Hymnology, p. Choral Fantasia Tromba da tirarsi, 2 Ob. Simple Tromba da tirarsi, 2 Ob. No doubt it is by him. There are other harmonisations of the Alto melody in the Choralgesange, Nos. Only stanzas iii-ix are by him. Selnecker was born at Hersbruck in He was a very prominent figure in ecclesiastical Germany and died at Leipzig in Translations of the Hymn are noted in the Dictionary of Hymnology, pp.
Soprano Unison Choral Violoncello piccolo, Continuo 1. The similarity between the melodies is matched by the intimate association of the two Hymns. Bach uses the melody also in Cantata No. The sharpened fourth note of the tune in this movement is found in an early text English translations of the Hymn are noted in the Dictionary of Hymnology, No.
There is another harmonisation of it in Choralgesange, No.
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English translations are noted in the Dictionary of Hymnology, p. The cantus is with the Tenor 1. Neumann was a native of Breslau, where he was born in He died in Bach has not used the melody elsewhere. Simple Corno, Flauto, 2 Ob. It was published in the Etlich Christlich lider Lobgesang, und Psalm Wittenberg, and repeated in the Erfurt Enchiridion of the same year.
Speratus Hoffer or Offer was born in Suabia in Two harmonisations of the melody are in the Choralgesange, Nos. The words of the first movement are the first three clauses of the Magnificat:. Choral Fantasia Tromba, 2 Ob.
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The cantus is first with the Sopranos and then with the Altos. The words of the concluding Choral are the doxology to the Magnificat:. Simple Tromba, 2 Ob. Bach uses the melody as an obbligato 2 Ob. Melodeien Luneburg, Simple 2 Fl. Wolfgang Figulus  1. Oder,  2. It appears in Cantatas 73, It appears to originate as a Tenor melody of the first melody, to which its own Tenor bears a clear relation.
In spite of its derivation, its individuality permits the tune to be regarded as a separate melody. It occurs in Cantatas 16, 28, Choral Fantasia 3 Trombe, Timpani, 2 Fl. The authorship of the tune has been attributed to Severus Gastorius of Jena, for whom the Hymn was written. The tune certainly is associated with Pachelbel, who set it in Motett form during his residence at Erfurt, c. Rodigast was born at Groben near Jena in The Hymn is said to have been written in at Jena for his sick friend, Severus Gastorius, Cantor there.
Its opening three notes and its seventh line are identical with the opening line of the melody supra. Bourgeois, born in Paris early in the 16th century, was invited to Geneva in In he succeeded Guillaume Franc d.
Bach uses the melody also in Cantatas 19, 25, 30, 32, 39, 70, and Thence he was sent on an embassy to Russia and Persia The Hymn was written in , on the eve of his departure for Russia. In Flemming graduated M. Simple Flauti, Oboe, Strings, Continuo. Translations of the Hymn are noted in the Dictionary of Hymnology, p. Choral Fantasia, in the Organ Choral form, the vocal themes being used in Counterpoint against the Choral melody in the orchestra Corno da caccia, 2 Ob.
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He Edition: current; Page: [ ] died there in He was a great lover of music, a good organist, and is credited with the authorship of the tunes set to his Hymns. Bach uses the melody also in Cantatas 31 and There are other harmonisations of the tune in the Choralgesange, Nos. His other variations also are found in earlier texts.